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Dancing at a Distance

Dancing at a Distance

— a reopening story

During this session, Ankur Bahl and Jane Macpherson from Sadler’s Wells share the process behind and initial outcomes of Dancing At Distance, an organisation-wide strategy to prioritise and plan activities for lockdown.

This includes:

  • ramping up multiple strands of activity for Sadler’s Wells’ Digital Stage
  • navigating their first paid content trial: Dancing at Dusk
  • re-opening Sadler’s Wells Theatre with their first socially distanced performances

They will also discuss what worked and what didn’t go so well, and how they might develop both offerings and organisational ways of working in future to continue to serve global audiences within the parameters of mission, brand, funding commitments and revenue objectives.

What will I gain?

— Key learnings from Sadler’s Wells experiments in digital content (paid and free) and socially-distant performances

— A candid look at the process behind shifting organisational strategy at pace and the ways of working used to deliver this strategy

— Headline data on Sadler’s Wells’ digital and live audience behaviour since lockdown

This session will be recorded and included in the Access All Areas Pass.

Speakers

Ankur Bahl | Director of Content and Audiences | Sadler’s Wells

Prior to Sadler’s Wells, Ankur was an Engagement Manager at McKinsey & Company, where he advised Fortune 500 companies in the Media and Consumer industries on strategy and organisational design. Before that, Ankur spent ten years as an actor and dancer performing for some of the UK’s best-known arts organisations. He was the recipient of the Fulbright and Marshall Scholarships and proudly serves on the Board of Trustees of Paines Plough. 

Speaker image courtesy of Ankur Bahl (c) Jason Dimmock

Jane Macpherson | Director of Marketing and Sales | Sadler’s Wells

Jane is a creative and collaborative marketer with over 20 years’ experience in Arts marketing roles and as a consultant, she works with Arts leaders to establish audience and income strategy. She has previously been a trustee of the Arts Marketing Association and Leeds-based Unlimited Theatre.